Artists see the world through a different lens than other people. Something we call inspiration is an ability of conduction between what a human eyes can see and what is hidden from common access in the subtleties.

            We see colors and shapes. Alpha, Beta and X rays are inaccessible to us without special equipment. But we know that they exist. We take on trust in the people who are able to observe them. We believe in God. Because everyone believes. Or most of us. It's customary. But we don't believe in spirits, in the fact that everyone has their own aura color or different intensity of biofields. Esotericism has become an applied science. While fairy tales and myths are nothing but sedative remedy.

            Today's exhibition consists of two expositions. Graphic and painting works by the Austrian artist Florian Messner and Bartosz Fraczek from Poland.

            Dr. Florian Messner is a prominent representative of the Viennese school of fantastic realism, born and raised in Austria. He Graduated from the Pedagogical College and defended his doctoral thesis at the University of Vienna. His exhibitions were held all around the world. And no matter where the artist went, he collected information about traditions and rituals. His work with subtle matters is naturally reflected in his paintings. Dr. Messner anchors on canvas and paper what cannot be seen. To do this, one has to open all their chakras and believe in the world immensely. Psychedelics of graphic lines, the interweaving of biblical and historical subjects drag in, disturb and talk to the viewer directly, bypassing the usual ways of communication. From soul to soul. To understand and accept such a dialogue, it is necessary to be a prepared viewer and have the courage to recognize the acuteness of the artist's emotions.

            Dr. Bartosz Fraczek came from the Polish town of Czestochowa. As an academic teacher, curator of international projects and an active exhibitor around the world, he carefully studies the cultural peculiarities of each country he comes in contact with. He collects myths and legends. But not purely the textual material, but trying to fathom the very essence and spiritual component of those ancient stories. Including the color of the aura of the heroes and the palette of the events. A series of thirty paintings, which the artist created particularly for the exhibition in Kazakhstan, is based on ancient Greek mythology.